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All modern poets are likely to have been inspired to write poetry by reading “Shakespeare’s” verse. If such poets have been following news about “Shakespearean” attribution, they should have a few questions that cloud this inspiration. Were these “greatest” poems of all time (given the 4 billion “Shakespeare” books in circulation) actually written by an actor without a formal education? Are the hushed arguments regarding plagiarism in Passionate Pilgrim indicating that the most beloved poet stole his work from others? The linguistic, structural, biographical and other types of analysis in my British Renaissance Re-Attribution and Modernization series (BRRAM) answers these questions correctly with a purely fact-based approach for the first time. 

The young poet corresponds with the master writer Rainer Maria Rilke to get advice; he wants Rilke to comment upon his work.  Instead of critiquing the young poet’s work, Rilke dodges his request. Write what you know, he tells the young poet.